tag:blogger.com,1999:blog-40771766684465373622024-03-12T20:46:40.130-04:00PG Kino Screening CalendarPG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-4077176668446537362.post-56384827232661772412011-11-14T18:43:00.002-05:002011-11-14T18:48:47.574-05:00Caché (Hidden)<span style="font-family:georgia,serif;"></span><br /><span style="font-family:georgia,serif;"></span><b>dir. Michael Haneke (France 2005)</b><b style="font-family: georgia,serif;">117 mins<br />French with English subtitles<br /></b><span style="font-family:georgia,serif;">Part of the PG Kino Fall 2011 </span><span style="font-family:georgia,serif;"> </span><i style="font-family:georgia,serif">Michael Haneke </i><span style="font-family:georgia,serif;">Series</span><br /><p style="margin-bottom:0cm;font-family:georgia,serif" align="JUSTIFY"><b>Alice Cook House, Seminar Room</b></p><p style="margin-bottom:0cm;font-family:georgia,serif" align="JUSTIFY"><b>Tuesday November 15, 8pm </b><br /></p><p style="margin-bottom:0cm;font-family:georgia,serif" align="JUSTIFY">George, host of a TV literary review, receives packages with videos of himself and his family shot secretly from the street, and obscure drawings. He has no idea who may be sending them. George feels a sense of menace, but since no direct threat has been made, the police refuse to help...</p>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-24378308295532927812011-10-31T13:45:00.002-04:002011-10-31T14:06:34.180-04:0071 Fragmente einer Chonologie des Zufalls (71 Fragments of a Chronology of Chance)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQZrJq2XxumbJYQy2wo5Hhl6EJ3HDLSH6jw_ENa-bB6_1EG1tLlXbihqVhOj1nK48fxroV2JkH5mz0UdCOxzPilKxroQPDvERf6-JqQ_ac4jImVcqlBJML4YgXsIPDtE3DaH8seylmfVJ8/s1600/01.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 197px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQZrJq2XxumbJYQy2wo5Hhl6EJ3HDLSH6jw_ENa-bB6_1EG1tLlXbihqVhOj1nK48fxroV2JkH5mz0UdCOxzPilKxroQPDvERf6-JqQ_ac4jImVcqlBJML4YgXsIPDtE3DaH8seylmfVJ8/s320/01.jpg" alt="" id="BLOGGER_PHOTO_ID_5669719258468544530" border="0" /></a><br /><span style="font-weight: bold;">PG Kino Screening</span> <span style="font-weight: bold;"> Tuesday, November 1st, 2011</span> <span style="font-weight: bold;"> Seminar Room, Alice Cook House</span><br /><span style="font-weight: bold;"> In German and Romanian with English subtitles</span> <span style="font-weight: bold;"> 95 Min, Preceded by a short presentation and followed by an open discussion.</span> <span style="font-weight: bold;"> Free and open to the public.</span><br /><br />PG Kino presents its Fall 2011 film series with the theme of Herzog & Haneke, continuing with <i>71 Fragmente einer Chonologie des Zufalls</i> (<i>71 Fragments of a Chronology of Chance, 1994</i>) by Michael Haneke.<br /><br />“A ‘cool, cerebral and painstaking' (Time Out London)<br />examination of several characters, including an<br />Austrian university student who goes on a shooting<br />spree, the third installment of Haneke's ‘glaciation<br />trilogy' as a mosaic of 71 film tableaux - beautifully<br />shot by cinematographer Christian Berger (<span style="font-style: italic;">Caché</span> and<br /><span style="font-style: italic;">The Piano Teacher</span>).<br /><br />In <span style="font-style: italic;">71 Fragments</span>, clips of TV news segments<br />on warfare in the former Yugoslavia alternate between<br />stories of urban disconnection. And while continuing to<br />approach filmmaking from an anti-psychological<br />perspective, German-born Haneke assembles a unified<br />work from snippets of narrative, such as Inge (Anne<br />Bennent) and Paul Brunner (Udo Samel) struggling with<br />a newly adopted daughter, and a homeless Romanian<br />boy wandering the streets of Vienna. Moreover, and as<br />expected from Haneke, <span style="font-style: italic;">71 Fragments</span> closes with an<br />unforgettable cinematic punch, which also stands as a<br />presage of his ‘later masterpieces by virtue of both its<br />style and thematic core'." (Adam Bingham, Senses of Cinema)PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-11240472420967466432011-10-24T13:50:00.002-04:002011-10-24T13:58:44.252-04:00<span style="font-size:130%;">Michael Haneke Series Fall 2011</span><br /><br />All films will be screened at the Alice Cook House (Seminar Room opposite the main entrance)<br />Free and open to the public.<br />With English subtitles.<br /><br />Tuesday October 25, 8pm. <span style="font-style: italic;">Das Schloss/The Castle</span> (dir. Haneke)<br />Tuesday November 1, 8pm. <span style="font-style: italic;">71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance</span> (dir. Haneke)<br />Tuesday November 15, 8pm.<span style="font-style: italic;"> Cache / Hidden</span> (dir. Haneke)<br />Tuesday November 22, 8pm. <span style="font-style: italic;">Das weisse Band / The White Ribbon</span> (dir. Haneke)PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-38106921852917778632011-02-08T12:19:00.003-05:002011-02-08T12:29:37.663-05:00Berlin Films II: Love, Life, and Murder<span style=";font-family:verdana;font-size:100%;" >Pandaemonium Geramanicum presents its Spring 2011 PG Kino film series, <span style="font-style: italic;">Berlin Films II: Love, Life, and Murder</span>. Part of a two-semester series on Berlin Fi</span><span style=";font-family:verdana;font-size:100%;" >lms, the six films presented during the Spring semester showcase urban life in Germany’s capital in the 20<sup>th</sup> and 21<sup>st</sup> centuries. Within the city, communities form and individuals negotiate public and private personae, personal and political motives, crime, and other strains to the social fabric in films by directors including Andreas Dresen, Fritz Lang, Robert Stemmle, and Bartosz Konopka.<br /><br /></span><style>@font-face { font-family: "Arial Black"; }@font-face { font-family: "Lucida Sans Unicode"; }@font-face { font-family: "Angsana New"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Angsana New"; }p.MsoBodyText, li.MsoBodyText, div.MsoBodyText { margin: 0in 0in 6pt; font-size: 12pt; font-family: "Angsana New"; }span.BodyTextChar { font-family: "Lucida Sans Unicode"; }div.Section1 { page: Section1; }</style> <span style=";font-family:verdana;font-size:100%;" >This semester, films will be screened <span style="font-weight: bold;">Wednesdays at 8PM</span>, in <span style="font-weight: bold;">103 Rockefeller Hall</span>, unless otherwise noted or advertised.<br /><span style="font-family: verdana;font-family:verdana;font-size:78%;" ><br /></span></span> <style>@font-face { font-family: "Arial"; }@font-face { font-family: "Arial Black"; }@font-face { font-family: "Lucida Sans Unicode"; }@font-face { font-family: "Angsana New"; }@font-face { font-family: "OpenSymbol"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Angsana New"; }p.MsoBodyText, li.MsoBodyText, div.MsoBodyText { margin: 0in 0in 6pt; font-size: 12pt; font-family: "Angsana New"; }span.BodyTextChar { font-family: "Lucida Sans Unicode"; }div.Section1 { page: Section1; }ol { margin-bottom: 0in; }ul { margin-bottom: 0in; }</style> <p class="MsoBodyText" style="margin-bottom: 0.0001pt; text-align: justify; font-family: verdana;font-family:verdana;"><span style="font-size:78%;">PG Kino Spring 2011 Screenings</span></p><p class="MsoBodyText" style="margin-bottom: 0.0001pt; text-align: justify; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><br /></span></p> <p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><b><span lang="DE">Feb 9</span></b><span lang="DE">: <i>Die Polizistin</i> (Dresen, 2000)</span></span></p> <p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><b>Feb 23</b>: <i>M</i><span style=""> </span>(Lang, 1931)</span></p> <p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><b>Mar 9: </b><i>Emil und die Detektive</i> (Stemmle, 1954)</span></p> <p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><b>Mar 30:</b> <i>Herr Lehmann</i><span style=""> </span>(Haußmann, 2003)</span></p> <p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><b>April 13: </b><i>Sommer vorm Balkon</i> (Dresen, 2005)</span></p> <p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in; font-family: verdana;font-family:verdana;"><span style="font-size:78%;"><b>April 27: </b><i>Mauerhase</i> (Konopka, 2009)</span></p> <span style=";font-family:verdana;font-size:100%;" ><br /></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-58335865330459242482010-09-05T12:51:00.004-04:002010-11-08T14:32:58.594-05:00Berlin Films I: Streets and City SpacesPandaemonium Geramanicum presents its Fall 2010 PG Kino film series, <span style="font-style: italic;">Berlin Films I: Streets and City Spaces</span>. Part of a two-semester series on Berlin Films, the six films presented in the Fall semester will showcase various social experiences located in Germany’s capital in the 20th and 21st centuries. As the camera lens moves from leisure trips before the rise of National Socialism to dreams in a divided Germany, Berlin’s diverse neighborhoods and cityscapes become the backdrop for stories of cultural change and formation by directors including Andreas Dresen, Bettina Blümner, and Wim Wenders, among others.<br /><br />This semester, PG Kino moves to <span style="font-weight: bold;">Tuesdays at 8PM</span>. Screenings will be held in <span style="font-weight: bold;">Kaufmann Auditorium, Goldwin Smith Hall</span>, unless otherwise noted or advertised.<br /><br />Sept 7: Menschen am Sonntag (Siodmak/Ulmer, 1930)<br />Sept 21: Prinzessinnenbad (Blümner, 2007)<br />Oct 5: Die Legende von Paul und Paula (Carow, 1973)<br />Oct 26: Kuhle Wampe (Dudow, 1932)<br /><span style="font-weight: bold;">Nov 16</span>: Berlin: Sinfonie einer Groβstadt (Ruttmann, 1927) <span style="font-weight: bold;">This screening in Lewis Auditorium. Please note change in date and time!</span><br />Nov 30: Der Himmel über Berlin (Wenders, 1987)<br /><br />Screenings are FREE and open to the public.<br />Each film will be preceded by an introduction and followed by an open discussion.<br /><br /><span style="font-style: italic;">-Series description by Katrina Nousek and Miyako Hayakawa</span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-86594902937870403072010-02-12T11:43:00.007-05:002010-03-10T18:52:36.166-05:00Spring 2010: DokumentarfilmAll screenings will be held on Wednesday evenings starting at 7:30PM in Lewis Auditorium, Goldwin Smith Hall, Cornell University.<br /><br />Tentative screening schedule:<br />February 17: Tierische Liebe (Seidl, 1994)<br />March 3: Auf der Suche nach dem Gedächtnis (Seeger, 2009)<br />March 18: Short films by Alexander Kluge (TBA, NB Thursday evening at 8PM!)<br />March 31: We Feed the World-- Essen Global (Wagenhofer, 2005)<br />April 14: Der ewige Jude (Hippler, 1940)<br />April 28: Sag niemals nie - die Räumung der Mainzer Straße in Berlin (1991)<br /><br />Preceded by a short introduction to the film and followed by a discussion. Free and open to the public.PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-4806829916674740422009-10-07T21:55:00.009-04:002009-10-13T00:03:49.410-04:00Cornell Cinema Presents<span class="Apple-style-span" style=" ;font-family:Helvetica;font-size:12px;"><div><span class="Apple-style-span" style=" font-weight: bold; white-space: pre; font-family:'Lucida Grande';"><span class="Apple-style-span" style="font-size: medium;">The Great Divide: Before & After the Wall</span></span><span class="Apple-style-span" style="font-size: small;"><br /></span></div><div><span class="Apple-style-span" style="font-size: small;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: small;">One, Two, Three</span></span><span class="Apple-style-span" style="font-size: small;"><br /></span></div><span class="Apple-style-span" style="font-size: small;">Wed, Oct 21 at 7pm</span></span><div><span class="Apple-style-span" style=" ;font-family:Helvetica;"><span class="Apple-style-span" style="font-size: small;">Fri, Oct 23 at 9:30pm<br />Sat, Oct 24 at 4:30pm<br />directed by Billy Wilder<br />with James Cagney, Arlene Francis<br />James Cagney plays a Coca-Cola rep working in Berlin, pre-Wall, in Wilder's corrosive satire that targets everything in sight, including capitalism, consumerism and Communism. "But in our taste-free, post-Communist age, One, Two, Three can now be seen as prophetic of the eventual Fall [of the Wall] itself, as well as a latter-day classic of screwball comedy." (Film Forum) 35mm<br />1961, color, 1 hr 48 min, USA<br /><br /></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: small;">The Baader-Meinhof Complex</span></span><span class="Apple-style-span" style="font-size: small;"><br />Wed, Oct 28 at 6:45pm</span><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style=" "><span class="Apple-style-span" style="font-size: small;">Fri, Oct 30 at 9:45pm</span></span><span class="Apple-style-span" style="font-size: small;"><br /></span></p><span class="Apple-style-span" style="font-size: small;">Sun, Nov 1 at 7:15pm<br />directed by Uli Edel<br />with Martina Gedeck, Moritz Bleibtreu, Johanna Wokalek<br />A sprawling look at the infamous left wing collective The Red Army Faction who terrorized 1970s Germany with a wave of assassinations, bank robberies, kidnappings, and bombings. In the film, a pair of lovers, Andreas Baader and Gudrun Ensslin, are joined by a journalist, Ulrike Meinhof, who abandons her family after writing about the group, which makes her a convert to their philosophy of violent overthrow. "Baader Meinhof is an exploitation film on a socially conscious subject, the equivalent of Steven Soderbergh's Che having a love child with The Fast and the Furious." (LA Times) more at baadermeinhofmovie.com 35mm<br />2008, color, 2 hrs 30 min, Germany<br /><br /></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: small;">The Lives of Others</span></span><span class="Apple-style-span" style="font-size: small;"><br />Wed, Nov 4 at 7pm</span></span><div><span class="Apple-style-span" style=" ;font-family:Helvetica;"><span class="Apple-style-span" style="font-size: small;">Sat, Nov 7 at 9:30pm<br />directed by Florian Henckel von Donnersmarck<br />with Sebastian Koch, Ulrich Muhe, Martina Gedeck<br />This gripping political thriller, set in 1984's East Berlin, traces the lives of a playwright and the Stasi agent who spies on him, as each confronts the moral ambiguities of totalitarian terrorism in the waning days of Soviet rule. Winner of the 2006 Academy Award for Best Foreign Language Film. more at sonyclassics.com/thelivesofothers 35mm 'Scope.<br />2006, color, 2 hrs 17 min, Germany<br /><br /></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: small;">Good Bye Lenin!</span></span><span class="Apple-style-span" style="font-size: small;"><br />Wed, Nov 11 at 7pm</span></span></div><div><span class="Apple-style-span" style=" ;font-family:Helvetica;"><span class="Apple-style-span" style="font-size: small;">Sat, Nov 14 at 4:30pm<br />directed by Wolfgang Becker<br />with Daniel Brhl, Kathrin Sass<br />A quick-thinking German teen tries to insulate his socialist mother from the frightful shock of capitalist revolution in this hit political comedy. 35mm<br />2003, color, 2 hrs 1 min, Germany<br /></span></span><div><span class="Apple-style-span" style=" ;font-family:Helvetica;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></div><div><span class="Apple-style-span" style=" ;font-family:Helvetica;"><div><span class="Apple-style-span" style="font-size: small;">All screenings in Willard Straight Theatre<br /></span></div><span class="Apple-style-span" style="font-size: small;">Admission: $6.50 general/$5 seniors/$4 students<br />Matinees: $4 all<br />More at cinema.cornell.edu<br /><br />Cosponsored with</span></span></div><div><span class="Apple-style-span" style=" ;font-family:Helvetica;font-size:12px;"><span class="Apple-style-span" style="font-size: small;">The Institute for German Cultural Studies<br />Dept. of German Studies<br />PG Kino</span><br /></span></div></div></div>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-2168185621296227532009-08-25T13:04:00.001-04:002009-09-06T19:17:41.037-04:00Fall 2009: New German Cinema<span class="Apple-style-span" style=" ;font-family:Helvetica;font-size:12px;"><div>Screenings will be held Wednesday evenings at 8PM in the Kaufmann Auditorium in Goldwin Smith Hall. Free and open to the public.</div><div>Tentative schedule:</div><div>Sept. 9: Liebe ist kälter als der Tod (Fassbinder, 1969)</div><div>Sept. 30: Nicht Versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Straub, 1965)</div><div>Oct. 14: Alice in den Städten (Wenders, 1974)</div><div>Oct. 28: Woyzeck (Herzog, 1979)</div><div>Nov. 18: Die Patriotin (Kluge, 1979)</div><div>Dec. 2: Die Bleierne Zeit (von Trotta, 1981)</div><div><br /></div></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0tag:blogger.com,1999:blog-4077176668446537362.post-40925063137117474412009-01-25T18:03:00.001-05:002009-01-25T18:04:55.939-05:00Spring 2009: From UFA to UFO: The German Science Fiction FilmAll films 7:30pm, Rockefeller Hall 115. Free.<br /><br />January 27: <span style="font-style: italic;">Frau im Mond</span> (1929) dir. Fritz Lang<br /><br />Feb 17: <span style="font-style: italic;">Der Schweigende Stern<br /><br /></span>[tba]<br /><br />[tba]<br /><br />[tba]<span style="font-style: italic;"><br /></span>PG Kinohttp://www.blogger.com/profile/08811751202053370156noreply@blogger.com0